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POLICE
PYTHON 357 (1976)
France/Germany,
Colour, 125 min
Date:
Tuesday, 1 Apr 2003 – 9pm

Director:
Alain
Corneau
Cast:
Yves Montand, François Périer, Simone Signoret, Stefania
Sandrelli
Synopsis:
A
non-conformist policeman decides to form a “parallel” team to
fight against gangsters, using their methods. He discovers that the
abduction of two mafia bosses was orchestrated by two false police
officers. A new style in film noir where the police turn against the
gangsters using their own methods – torture and murder.
SÉRIE
NOIRE (1979)
France,
Colour, 111 min
Date:
Tuesday,
8 Apr 2003 – 9pm

Director:
Alain Corneau
Cast: Patrick
Dewaere, Myriam Boyer, Marie Trintignant, Bernard Blier
Synopsis:
Franck Poupart is a slightly
neurotic door-to-door salesman in a sinister part of Paris' suburbs.
He meets Mona, a teenager, who's been made a prostitute by her own
aunt. Franck would like to change his life and also save Mona from
her aunt. Murder is the only solution he finds to achieve his
goal... A very gloomy movie, exuding dispair and uneasiness, with
pathetic characters.
LE
COUSIN (1998)
France,
Colour, 112 min
Date:
Tuesday, 15 Apr 2003 – 9pm

Director:
Alain Corneau
Cast: Patrick
Timsit, Alain Chabat, Samuel Le Bihan, Caroline Proust
Synopsis:
Nounours is the nickname of a
"cousin", an informer with a special arrangement with the
police: he gets 10% of the drugs seized thanks to his help. When his
personal contact, Inspector Maurin, commits suicide, Inspector Gérard
Delvaux takes over. Meanwhile, judge Lambert is uncovering the
illegal practices of the policemen. Her persistent investigations,
which had cornered Maurin, are leading to Gérard, and also to
Nounours as the source of heroin that led to recent cases of deadly
overdoses. Nounours promises Gérard increasingly bigger catches
which he is intent on realising before he is forced to reveal who
Nounours is to judge Lambert.
Van
Gogh (1991)
France,
Colour, 158 min
Date:
Wednesday, 16 Apr 2003

Director:
Maurice Pialat
Cast:
Jacques Dutronc, Alexandra London, Bernard Lecoq, Gérard Séty
Synopsis:
When Vincent Van Gogh arrives in Auvers-sur-Oise, near Paris,
in the late spring of 1890 under the care of Doctor Gachet, he has
two months left to live. We see him at work, painting landscapes and
portraits. His brother Theo, wife Johanna, and their baby visit
Auvers. Pialat invents a love story for him with Gachet’s
daughter, Marguerite, and envelopes him in constant light and
shadow, where shadow has the last word. Shortly before his death,
Vincent visits Paris, quarrels with Theo, disparages his own art and
accomplishments, dances at a brothel, and is warm then cold toward
Marguerite. This is not the story of Van Gogh, but a powerful
evocation of his last days.
DOCUMENTARY
SPECIALS
-
LA
VILLE LOUVRE (1990)
7.15PM
-
LE PAYS DES SOURDS (1993)
9.00PM
LA
VILLE LOUVRE (1990)
France,
Colour, 84 min
Date:
Tuesday,
22 Apr 2003 – 7.15pm

Director:
Nicolas
Philibert
Synopsis:
What
happens in the Louvre when it is closed to
the public? On the occasion of the conversion of the Grand Louvre,
the museum unveils its secrets and its hallways to the team of
Nicolas Philibert. Without commentary, the camera becomes the
faithful witness to the metamorphosis of the museum, of its halls,
its spaces, its staff. It’s a fascinating look on the private
life, often comical, of one of the largest museums in the world.
LE
PAYS DES SOURDS (1993)
(In
the Land of the Deaf)
UK/France/Italy/Switzerland,
Colour, 99 min
Date:
Tuesday, 22 Apr 2003 – 9pm

Director:
Nicolas Philibert
Cast: Jean-Claude
Poulain, Aboubaker, Anh Tuan, Betty (IV)
Synopsis:
This film invites the viewer
into the world of deaf language and culture.
Deaf
people tell about the richness of their everyday lives in touching
anecdotes.
LAISSEZ-PASSER
(2002)
(Safe
Conduct)
France/Germany/Spain,
Colour, 170 min
Date:
Tuesday, 29 Apr 2003 – 9pm

Director:
Bertrand Tavernier
Cast: Jacques
Gamblin, Denis Podalydès, Charlotte Kady, Marie Desgranges
Synopsis:
In
Paris, 3 March 1942, under the German Occupation, two men watch as
their destinies cross paths and intertwine. On one hand, Jean-Devaivre,
an assistant director, finds a way to camouflage his clandestine
resistance activities while working for the Continental, a German
cinematographic organisation headed by Doctor Greven which has
produced French films since 1940. On the other hand, Jean Aurenche,
a screenwriter-poet, refuses to work for the Germans and uses the
written word in a heroic battle against the invading Nazis.
Content Contributor: Lien
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